Last edited by Dakazahn
Tuesday, November 24, 2020 | History

5 edition of World postmodern fiction found in the catalog.

World postmodern fiction

a guide

by Cristopher Nash

  • 278 Want to read
  • 14 Currently reading

Published by Longman in London, New York .
Written in English

    Subjects:
  • Fiction -- 20th century -- History and criticism.,
  • Postmodernism (Literature)

  • Edition Notes

    StatementCristopher Nash.
    Classifications
    LC ClassificationsPN3503 .N38 1993
    The Physical Object
    Paginationxii, 388 p. ;
    Number of Pages388
    ID Numbers
    Open LibraryOL1734497M
    ISBN 100582209102
    LC Control Number92039356


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World postmodern fiction by Cristopher Nash Download PDF EPUB FB2

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Erickson actually goes a little postmodern himself in the last chapter since it is brilliantly and entirely told from an individual's by: 9. Post-modern literature has evolved from modernist literature, with both movements showing similarities as well as significant differences.

Chronologically, post-modern writings appear after World War II, while modernism developed in the period from to the s. Exploiting various theoretical approaches to literary ontology - those of Ingarden, Eco, Dolezel, Pavel, Hrushovski and others - and ranging widely over contemporary world literature, McHale assembles a comprehensive repertoire of postmodernist fiction's strategies of world-making and s: 1.

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This groundbreaking study looks at the evolution of the war novel, tracing the movement from the modernist novel that followed World War I to the postmodernist novel that followed World War book uses close readings of iconic literary texts such as Catch and Slaughterhouse-Five to discover the origins of the postmodern zeitgeist.

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In I published a book entitled Postmodernism in Pieces: Materializing the Social in U.S. Fiction in which I set out to answer a number of questions, including, “What does postmodernism have to do with thing theory?”.

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Postmodern Vampires: Film, Fiction, and Popular Culture is the first major study to focus on American cultural history from the vampire’s point of ing inNí Fhlainn argues that vampires move from the margins to the centre of popular culture as representatives of the anxieties and aspirations of.

ISBN: OCLC Number: Description: pages ; 23 cm. Contents: Meta-mimesis. The problem of British postmodern realism / Amy J.

Elias --Irish regionalism, magic realism and postmodernism / Theo D'haen --British historiographic metafiction in the s / Susana Onega --"Till nohow on": The later metafiction of. ISBN: X OCLC Number: Description: xv, pages ; 22 cm: Contents: Part One: World War One and modernism.

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Contemporary works of fiction by novelists such as Don DeLillo, Toni Morrison, Salman Rushdie, Thomas Pynchon, and Martin Amis are viewed in relation to critiques of the "culture industry," analyses of the "postmodern condition," and theories of simulacra.

Scott Bukatman's Terminal Identity—referring to both the site of the termination of the conventional "subject" and the birth of a new subjectivity constructed at the computer terminal or television screen--puts to rest any lingering doubts of the significance of science fiction in contemporary cultural trating a comprehensive knowledge, both of the history of science fiction Reviews: 6.

Fredric Jameson (born Ap ) is an American literary critic, philosopher and Marxist political is best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and n's best-known books include Postmodernism, or, The Cultural Logic of Late Capitalism () and The Political Unconscious ().

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